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girlava

"I really don't know why it is that all of us are so committed to the
sea. Except I am, I think, it's because, in addition to the fact that
the sea changes, and the light changes, and ships change, it's
because we all came from the sea. And it is an interesting
biological fact that all of us have in our veins the exact same
percentage of salt in our blood that exists in the ocean, and
therefore we have salt in our blood, our sweat, in our tears; we are
tied to the ocean, and when we go back to the sea, whether it is to
sail or to watch it, we are going back from whence we came."

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10560

10,560 notes | 1 month ago

754

754 notes | 1 month ago

542

542 notes | 1 month ago

1309

1,309 notes | 1 month ago

145

binnorie:

This is a collage that includes a snip of David Rychert’s La ronde des Farfadets de Les Farfadets
Thanks Judith Schaechter for identifying the center part of this collage.
Would like to know where the rest came from and who did the collage. 
Artist?
145 notes | 1 month ago

nevver:

Peter Zeglis

1,952 notes | 1 month ago

91

nothingpersonaluk:

Acne Paper Sweden Issue #10 It’s My Party by Daniel Jackson
91 notes | 5 months ago

2

Burning candle I made for thextshell
thextshell:

My favorite candle ever: unicorn farts!!!!
2 notes | 5 months ago
6 months ago

1753

petrole:
1,753 notes | 7 months ago

1960

nevver:

You can do better
1,960 notes | 7 months ago

2680

nevver:

― Raymond Chandler,  The Long Goodbye
2,680 notes | 7 months ago

38714

nevver:

Surprise me
38,714 notes | 7 months ago

1843

nevver:

Crumb Illustrates Bukowski
1,843 notes | 7 months ago

5549

tamburina:

Rhythm 0 (1974) by Marina AbramovicTo test the limits of the relationship between performer and audience, Abramović developed one of her most challenging (and best-known) performances. She assigned a passive role to herself, with the public being the force which would act on her.Abramović had placed upon a table 72 objects that people were allowed to use (a sign informed them) in any way that they chose. Some of these were objects that could give pleasure, while others could be wielded to inflict pain, or to harm her. Among them were scissors, a knife, honey, a rose, a whip, and, most notoriously, a gun and a single bullet. For six hours the artist allowed the audience members to manipulate her body and actions.Initially, members of the audience reacted with caution and modesty, but as time passed (and the artist remained impassive) several people began to act quite aggressively. As Abramović described it later:“What I learned was that…if you leave it up to the audience, they can kill you.” … “I felt really violated: they cut up my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the audience. Everyone ran away, to escape an actual confrontation.”
5,549 notes | 8 months ago